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</html><description>Some programmes tell a story. This evening&#x2019;s programme, though seemingly coincidental given its fundamental anti-Semitism, draws connections between Wagner and Mendelssohn. Both composers used the same seven mystical chords of the Dresden Amen, employed in religious services in Saxony by both Protestants and Catholics. Mendelssohn skillfully weaves them into his Symphony of the &#x2018;Reformation&#x2019; composed [&hellip;]</description></oembed>
